In unity there is strength. In division you will surely fall. In strenght and numbers, we are a powerfull force. We come from many different races, cultures, nationalities, countries and religions, believe in freedom, justice, equality, knowledge, wisdom and understanding.

Danc l'unité il y a de la force, être séparé est inutile. Nombreux et forts, nous sommes une force puissante. Paix, Unité, Amour, HAVING FUN, Positivité, Créativité, Tolérance, Respect, Participation et Fête, retour vers les racines, l'esprit ouvert, dévolution. Chacun apprend à quelqun. UN ESPRIT UN BUT.

ZULU NATION

NOUS APPELONS TOUS LES GENS RELIGIEUX DANS LES ÉGLISES, DES MOSQUÉES, DES TEMPLES, LA COMMUNAUTÉ DU MONDE HIP HOP, LES ORGANISATIONS DE THE GRASS ROOT, DES FANTAISISTES, DES ORGANISATIONS POLITIQUES, DES PROGRAMMEURS DE RADIO, LES SHAKERS DE MOUVEMENT, LES GUERRIERS Du CHANGEMENT, TOUTES LES NATIONALITÉS ET TOUS LES ÊTRES DE LA RACE HUMAINE

A SORTIR AVEC DES SOLUTIONS SUR LA FAÇON DE PROMOUVOIR UN MOUVEMENT MASSIF À TRAVERS LE MONDE POUR PRENDRE du recul avec NOS ONDES HERTZIENNES / LE CONTRÔLE De l'ESPRIT, PAR les MÉDIAS. SI VOUS ÊTES DEBOUT, AU REVOIR ET COMPLANE, MAIS si vous NE FAITES RIEN POUR CHANGER LA SITUATION, DONC VOUS MÉRITEZ CE QUE VOUS OBTENEZ--------- LE CHAOS ET L'ENFER SUR LA TERRE COMME SLY AND THE FAMILY STONE (RUSÉ ET LA PIERRE DE FAMILLE) A DIT - STAND STAND STAND

The Universal Zulu Nation is an organization of men, women, and youth which was founded on November 12, 1973 by a man named Afrika Bambaataa. This organization has hundreds of chapters throughout the world. Its members, who came from many different races, cultures, nationalities, countries and religions believe in freedom, justice, equality, knowledge, wisdom and understanding. Zulu Nation members discourage divisions and want to see peace and unity on the planet Earth with all races. Without these, we all face social, economic, physical and spiritual destruction. This is the Universal Zulu Nation. As we are dedicated to improving and uplifting ourselves and our communities, all Zulu Nation members should be involved in some activity that is positive and gives back to the community. Hip-Hop music is our vehicle of expression. We can learn to write, produce, market, promote, publish, perform and televise our own music, for our own people. There are too many divisions between males and females. There are too many divisions between young adults and their parents and too many divisions between rich and poor-urban and suburban. Now is the time for us to build together as well as develop individually. All of the ills and problems that plague our community will be addressed. We already know Hip-Hop and the Zulu Nation are here to stay. Both are over twenty years old and both exist and thrive across the world. Some of the projects we plan and organize are: canned food drives, tutoring sessions, home and building clean-ups, mentoring programs, neighborhood protection, seminars, conferences, newsletters, magazines, books, and concerts. KNOWLEDGE, WISDOM, OVERSTANDING, FREEDOM, JUSTICE, EQUALITY, PEACE, UNITY, LOVE, RESPECT, WORK, FUN.

La Nation Zulu n'est pas un gang c'est une organisation d'individus à la recherche de succès, de paix, de savoir de sagesse de compréhension et de bonne conduite dans la vie
Les membres Zulus doivent chercher des moyens de survie positifs dans cette société.
Les actions négatives sont des actions qui appartiennent aux mauvais.
La nature animale est une nature négative.
Les Zulus doivent etre civilisés.
Il est interdit aux Zulus de se droguer ou de vendre de la drogue, de se saouler, de fumer en présence d'autres Zulus et de personnes que le tabac dérange, de s'exprimer de façon vulgaire, grossière et ordurière.
Les membres Zulus doivent apprendre les leçons infinies.
Les Zulus doivent être un modèle de comportement pour les jeunes et susciter l'admiration et la sympathie de la société.
Les Zulus ne doivent appartenir à aucune organisation dont les fondements sont basés sur des actions négatives.
Les Zulus doivent être en paix avec eux-mêmes et avec les autres.
Et de ce fait, les Zulus n'ont pas le droit de provoquer de querelles.
Les Zulus doivent combattre pour les causes aux quelles ils croient.
Les Zulus ne sont pas autorisés à établir leurs différences avec d'autres Zulus en se combattant.
Les Zulus n'ont pas le droit de clamer leur appartenance à la Nation Zulu de manière irrespectueuse, surtout en mélant leur noms au crime, à la violence et au vandalisme.
Les Zulus doivent toujours penser à mener leur vie de façon pacifique et dans le droit chemin.
Les Zulus doivent chercher la connaissance de soi de façon à s'élever dans cette jungle du monde....

Personal Rights

Everyone has human, Personal Rights. They are different from legal rights. Some people may not understand that everyone is entitled to Personal Rights and violate them. When that happens we cannot always turn to the law to defend our Personal Rights. We can only turn to ourselves and our resources. It is important to know what our Personal Rights are, so we can protect ourselves more effectively.
When you claim your Personal Rights, remember: Everyone else has Personal Rights too. Know to respect their Personal Rights as much as you want yours to be respected.

YOU HAVE THE RIGHT
to put yourself first sometimes
to ask for help or emotional support
to protest unfair treatment or criticism
to your own opinions and convictions
to make mistakes until you get it right
to let someone solve her/his own problems
to say "thank you, no" "excuse me, no"
to disregard the advice of others and follow your own
to be by yourself even when others want your company
to your own feelings whether they make sense to others or not
to change your mind or choose a different course of action
to negotiate for changes when the arrangements don't work for you

IT'S NEVER YOUR RESPONSIBILITY
to be 100% perfect
to follow the crowd
to love destructive people
to please unpleasant people
to apologize for being yourself
to drain your strength for others
to feel guilty about what you desire
to put up with unpleasant situations
to sacrifice your integrity for anyone
to remain in an abusive relationship
to do more than you have time to do
to do something you really cannot do
to conform to unreasonable demands
to give what you really don't want to give
to bear the burden of another's misbehavior
to give up who you are for anybody or anything

ALTHOUGH THE UNIVERSAL ZULU NATION WAS INTO BELIEFS LIKE SO MANY OTHER HUMANS ON THIS PLANET SO CALLED EARTH IN THE LAST MILLENNIUM. WE WILL IN THIS MILLENNIUM BE LEAVING THE BELIEF SYSTEM AND WILL BE ALL ABOUT FACTOLOGY VERSUS BELIEFS.
RIGHT KNOWLEDGE, RIGHT WISDOM, RIGHT OVERSTANDING, RIGHT SOUND REASONING, TO BRING ABOUT RIGHT WAYS AND ACTIONS.
RIGHT THINKING
SO WHAT YOU SEE BELOW HERE IS OF THE UNIVERSAL ZULU NATION OF PAST THE LAST MILLENNIUM. BEHOLD AND GET READY FOR THE NOW MILLENNIUM.
FACTOLOGY VERSUS BELIEFS

1) We believe in one God, who is called by many names-Allah, Jehovah, Yahweh, RA, Eloahim, Jah, God, The Most High, The Creator, The Supreme One. We believe as Amazulu, we will not fight or kill other human beings over which proper name to call God. We will recognize them all to be the same one God. We believe God will come to be seen to the human eye and will straighten out the problems that Human Beings brought upon this planet so-called Earth.

2) We believe in the Holy Bible and the Glorious Qur'an and in the scriptures of all the Prophets of God.

3) We believe that the Bible has been tampered with and must be reinterpreted, so that mankind will not be snared by the falsehoods that have been added to it.

4) We believe that through white supremacy many of the history books which are used to teach around the world in schools, colleges and other places of learning have been distorted, are full of lies and foster hate when teaching about other races in the human family. We believe that all history books that contain falsehoods should be destroyed and that there should be history books based on true facts of what every race has contributed to the civilization of Human Beings. Teach true history, not falsehood, only then can all races, and nationalities respect, like or maybe love each other for what our people did for the human race as a whole.

5) We believe in truth whatever it is. If the truth or idea you bring us is backed by facts, then we as Amazulu bare witness to this truth. Truth is Truth.

6) We believe that anyone who is into any religion or faith, that religion or faith should uplift you as a Human Being, not make you into a religious slave or zombie, and that the religion should not mix falsehood with truth, and that the religion should be a fighter for Freedom, Justice, and Equality for all Human Beings as well as for anything of life that God has given to this planet so-called Earth.

7) We believe that racism and hate are trying to rule the lives of Human Beings on this Planet so-called Earth and that only belief in the Supreme One and truth will destroy this disease called racism and hate.

8) We believe that Human Beings have caused harm to Mother Earth and must do something about the pollution of the air, water, land, and space. We believe that Human Beings have also caused harm to animals and sea life and that Humans must correct their wrongs or they will be headed for destruction as it has been prophesized by the prophets. Only Human Beings with the help of God can change the future.

9) We believe the mental resurrection of the dead. There are many of the Human race who are blind, deaf, and dumb to the knowledge of Self and others and we feel the ones who know should teach.

10) We believe that life, creation, everything is based on mathematics.

11) We believe in the seen and what is to be known of the unseen. We believe in the Power of the mind, and that knowledge is as infinite as God himself.

12) We believe in justice for all, whether in God or not. We believe as others that we are due equal justice as Human Beings.

13) We believe as Amazulu are people of peace and that we respect those who respect us, and we are at peace with those who are peace with us, but if we are attacked by an aggressor or oppressor, then we believe and are taught that we should fight in the name of Allah, Jah, Jehovah, Yahweh, Eloahim, The Most High, God, to fight those who come against us.

14) We believe in Power, Education in truth, Freedom, Justice, Equality, Work for the people and the upliftment of the people.

15) The Universal Zulu Nation stands for: KNOWLEDGE, WISDOM, UNDERSTANDING, FREEDOM, JUSTICE, EQUALITY, PEACE, UNITY, LOVE, RESPECT, WORK, FUN, OVERCOMING THE NEGATIVE TO THE POSITIVE, ECONOMICS, MATHEMATICS, SCIENCE, LIFE, TRUTH, FACTS, FAITH, AND THE ONENESS OF GOD.

Les débuts du RAP

Le SMURF

Le "smurf " veut dire littéralement " schtroumpfs ".A ses débuts, cette expression artistique fut appelée ainsi parce que les danseurs possédaient des gants comme les schtroumpfs.
Les principaux smurfeurs de la premiére génération furent Dzers, les Street Kids, Alberto dit Junior, Soda Pop, Rodrigue, Joe, Scalp, Willy...
Apparu en France en 1982, le smurf fut parmi les premiers styles de danse, Mister Freeze, un français vivant au Etats-Unis, en fut l'un des inspirateurs. Aujourd'hui le terme d'electric boogie est plus couramment utilisé.

Le BREAK

Le terme break-dance vient de " breaking" qui signifie casser,éclater. Selon une version historique, cette danse aurait été ainsi désignée par des observateurs blancs ne comprenant pas trés bien cette forme singulière d'expression des B.Boys dans le Bronx aux Etats-Unis au milieu des années 1970.

Pionnier en France du Break, Aktuel Force est le groupe le plus représentatif de cette danse.

Vous pouvez allez faire un tour chez Dancer's Delight un site trés sympa sur le BREAK avec les New York City Breaker et les Rock Steady Crew
Il y a aussiSB's Breakin' Page ou vous trouverez des extraits de film (Beat Street) et des demos de break.

ALL HIP HOP TERMS

FUNKY/ FUNK ANY THING THAT MOVES YOU IS FUNKY/ A HIGHLY RHYTHMIC PERFORMER/ THE MUSIC THAT POPPERS DANCE TO/ JAMES BROWN, PARLIMENT,ECT.
GET DOWN/ GET LOOSE/ GET BUZY/ GO OFF DO YOUR THING, HOW A PERSON WILL ASK SOME ONE TO DANCE OR RHYME ( YO LET ME SEE YOU GET DOWN.)
REPRESENT GO ALL OUT FOR YOUR SELF OR CREW, OR ANYTHING YOUR DOWN WITH OR STAND FOR.
BUTTER WHEN SOMETHING IS SMOOTH
DOPE/ PHAT/ CRUNK/ TRUCK WHEN SOMETHING IS REALLY GREAT, IN A THICK UNDERGROUND WAY.
JAM WHEN DJ's PLAY MUSIC IN A HALL, CLUB, COMMUNITY CENTER ECT...ITS A JAM/ ALSO MEANS TO GET DOWN
WAX RECORD
BBOYING ...BBOY/ BGIRL COINED BY KOOL HERC TO DESCRIBE THE ELITE DANCERS AT HIS PARTYS....HERC ORIGINALLY MEANT "BREAK BOY" BUT DEPENDING ON WHAT AREA YOU WERE FROM IN THE BRONX . THE DEFINITION COULD HAVE BEEN "BEAT BOY", OR BRONX BOY".
BREAK DANCE A TERM THAT THE MEDIA CREATED BACK IN THE EARLY 80'S THAT IS HATED BY BBOYS EVERY WHERE. ALSO A WORD USED BY BBOYS TO DESCRIBE A COMMERCIAL WANNA BE BBOY, OR A BREAKER WITH NO FOUNDATION THAT ONLY DOES GYMNASTIC MOVES .
BREAKIN IS ALSO A TERM ADOPTED AS THE NAME OF THE DANCE (EX: A BBOY BREAKS OR IS BREAKING)

BBOYING
BOYOING A WORD USED IN THE BRONX RIVER AREA OF THE BRONX TO DESCRIBE THE BOUNCY STYLE OF BREAKING THAT THE BBOYS DID, IT WAS ALSO USED TO DESCRIBE THE BALL ON THERE SKI HATS THAT WENT BOYOING WHEN THEY DANCED.
GO OFF WAS A PHRASE THAT DESCRIBED THE ACTION OF A BBOY ...NOT A NAME OF A DANCE. YOU ALSO COULD HAVE BEEN GOING OFF ON THE MIC OR THE TURNTABLES, OR IN A FIGHT.
FOOTWORK THE ACTION A BBOY DOES WHEN HE HITS THE FLOOR, WHEN YOUR WORKING YOUR LEGS AROUND THE CENTER OF YOUR GRAVITY ON ALL FOURS. ALSO A MAIN COMPONENT OF BBOY FOUNDATION THAT WAS SET IN THE MID 70'S.( the 6 step, 4 step, are just a couple of basic footwork patterns, there are dozens more)
TOP ROCK THE ORIGIN OF BREAKING WAS IN ITS VERTICAL DANCE..BEFORE BBOYS HIT THE FLOORS THEY WERE ESSENTIALLY TOP ROCKERS (MEANING THEY ROCKED TO THE BEAT ON TOP)...IT IS ALSO A BASIC FOUNDATION ..BEFORE YOU HIT THE FLOOR YOU MUST TOP ROCK.
FREEZE THE ENDING POSE...THE PERIOD TO EVERY BBOYS COMBO IS THE FREEZE. IT IS ALSO USED AS THE CLIMAX AND DISS MOVE THAT GETS THE CROWD REACTIONS. ALSO A BASIC FOUNDATION EVERY BBOY MUST END THERE DANCE IN A POSE AND SHOULD HAVE A VAST CATALOG OF FREEZES.
STYLE HOW A BBOY/ BGIRL FINESSES THERE MOVES.PAUSES, DELAYS AND HESITATIONS ADD TO A STYLE...LIKE A JAZZ MUSICIAN...
FLAVA IS SIMILAR TO STYLE BUT IS MORE OF AN ACCENT TO EACH MOVES THAT GIVES IT A PERSONALIZED TASTE...
CHARACTER MANY DANCERS EITHER BORROW A PERSONALITY FROM A CARTOON OR MOVIE, OR THEY HAVE A NATURAL CHARACTER THAT COMES OUT IN THERE DANCE, FROM KEN SWIFT'S MUGSEY, TO IVAN'S ULTIMATE TASMANIAN DEVIL LIKE IMAGE...IT ADDS ANOTHER LEVEL TO THERE PERFORMANCE THAT MAKES THERE DANCE EVEN MORE MEMORABLE.
POWER MOVES IT USED TO BE THAT A POWER MOVE WAS ALL TYPES OF SPINS THAT LOOKED POWERFUL..BUT AS IT HAS BEEN ESTABLISHED..ANYTHING THAT TAKES STRENGTH IS POWER...(LOOK AT CRUMBS)
BATTLE THE ACT OF COMPETING WITH OTHER BBOYS
BURN TO BEAT A BBOY IN A BATTLE, OR SCORE A POINT IN THE MIDDLE OF A BATTLE WITH A MOVE. (EX:I BURNED HIM WITH MY FOOTWORK)
WACK NOT GOOD, WEEK, SOME ONE, OR A MOVE THAT IS CONSIDERED BAD.
CREW A GROUP OF DANCERS FORMED AS A CLICK OR ORGANIZATION TO COMPETE AS A WHOLE.
BREAK BEATS THE ORIGINAL FORM OF HIP HOP MUSIC THAT SET OFF THE BBOY SUB CULTURE.
BITING THE ULTIMATE SINFUL NONO....IT MEANS TO COPY OR STEAL ANOTHER BBOYS MOVES, STYLE, CHARACTER AND ALL THE ABOVE CRITERIA'S THAT MAKE A BBOY ORIGINAL...NEVER BITE!!!!!!!!!!!!!!!!!!!

POPPING
BOOGALOO STYLE ROLLIN OF THE HIPS AND DIFFERENT BODY PARTS/ A PARTICULAR STYLE THAT GOES WITH THE ROLLS.
TWISTO FLEX A RUBIX CUBE STYLE OF POPPIN/ SEPERATING AND DISECTING YOUR BODY IN TWIST LIKE MOTIONS.
TICKIN STOP MOTION STYLE OF POPPIN
STROBIN GIVING THE EFFECT OF A STROBE LIGHT WHILE DOING NORMAL THING YOU WOULD DO IN A CLUB TYPE ATMOSPHERE (DRINKING, COMBING HAIR, LOOKING AT YOUR WATCH) NOT NECESSARILY A DANCE
ANIMATION IMITATING CARTOON OR CLAY ANIMATION
SACIN A SHUFFLING OF THE FEET WHILE MOVING YOUR ARMS TO THE BEAT IN DIFFERENT DIRECTIONS. ORIGINATED IN SACRAMENTO
STRUTTIN A STYLE BASED ON THE 70'S TERM "TO STRUT YOUR STUFF"/ MOVEMENTS TAKEN FROM ACTUAL STRUTS OR PIMP WALKS
FILMORE STYLE THAT ORIGINATED IN FILMORE CAL. LOOKS LIKE A SIDE TO SIDE MOVEMENT THAT INVOLVES STRAIGHTENING OUT THE ARMS IN DIFFERENT DIRECTIONS WHILE STEPPING WITH THERE FEET IN DIFFERENT DIRECTIONS
WAVING CREATING THE ILLUSION THAT YOUR BODY HAS ELECTRICAL CURRENTS FLOWING SMOOTHLY THROUGH IT. ALSO MAKING ONES BODY LOOSE AND FLUID LIKE WATER
TUTTIN A KING TUT OR HIEROGLYPHIC STYLE OF POPPIN
STICKIN A STYLE THAT INVOLVES STICKING OUT THE ARMS IN SYNCOPATED RHYTHMS AND STRAIGHT ARM SHAPES, AND SNAPPING THE ELBOWS WHILE DOING IT.
WRITING (GRAFFITI)
WRITER THE ORIGINAL NAME OF WHAT PEOPLE REFER TO AS "GRAFFITI ARTIST"
MASTER PIECE / PIECE A NAME , WORD OR PHRASE DONE IN A STYLE THAT IS FILLED IN WITH COLORS AND HAS AN OUTLINE AND OTHER DECORATIVE FILLINGS
THROW UP A QUICK AND EASY VERSION OF A PIECE, DONE IN A WAY TO GET AS MANY UP AS POSSIBLE IN A SHORT TIME
TAG WRITING YOUR NAME IN A GHETTO STYLIZED WAY
WILD STYLE A PIECE THAT IS DONE WITH ALOT OF DETAILED CONNECTIONS AND ARROWS AND OTHER INTRICATE DECORATIONS THAT MAKE IT HARD TO READ.
BOMB/ BOMBING A MISSION THAT WRITERS GO ON, WRITING YOUR NAME ANY WHERE AND EVERY WITH AN ABUNDANT AMOUNT OF TAGS OR THROW UPS/ SMOTHERING AN AREA WITH ONES TAG OR THROW UP.
MARRIED COUPLE A PIECE ACROSS TWO TRAIN CARS
ALL CITY WHEN A WRITER BOMBS THE ENTIRE CITY IN AN ATTEMPT TO BE THE KING
GETTING UP GETTING FAME THROUGH TAGGING EVERY WHERE OR ON A PARTICULAR TRAIN LINE, OR AREA
TOY/ HOT 1 TEN A WRITER THAT IS NOT GOOD AT TAGGING OR PIECING, SOMETIMES ANYTHING THAT ISN'T GOOD.
AEROSOL ART ARTISTS THAT USE SPRAY PAINT AS A MEDIUM, NOT NECESSARILY A WRITER
CREW A GROUP OF WRITERS UNITED
BITING TO COPY, OR STEAL SOMEONE'S STYLE OR EXACT LETTERS
BUFF TO PAINT OVER, ERASE OR CLEAN OFF TAGS AND PIECES FROM A TRAIN OR WALL
PILOT, MAGNUM, SPECIAL WIDE AND SQUARE TIP MARKERS THAT ARE REFILLABLE AND USED FOR TAGGING
UNI WIDE, MINI WIDE WIDE AND NARROW TIP REFILLABLE MARKERS
MARSH, FLO MASTER, SUPERMARKET INKS SPECIAL INKS PREFERRED BY WRITERS FOR THERE RESISTANCE AGAINST BUFFING, OR CLEANING. ESPECIALLY THE OLD SUPERMARKET STAMP INK THAT IS HARD TO CLEAN OFF.
FLO PEN SPECIAL PEN WITH REPLACEABLE CHISEL POINT AND OTHER STYLE TIPS, ALSO REFILLABLE
MOP TIP TO PIN OUT A REGULAR PILOT (OR OTHER BRAND) WIDE TIP MARKER TILL IT RESEMBLES A MOP, PREFERRED FOR IT SLOPPY LOOK
HOME MADE MOP TIP A MARKER MADE BY WRITERS OUT OF AN EMPTIED OUT ROLL ON DEODORANT BOTTLE, AND STUFFED WITH FELT FROM A CHALK BOARD ERASER AND FILLED WITH INK,
FAT CAPS/ THIN CAPS A SPECIAL SPRAY NOZZLE THAT MAKES THE CAPS DIFFERENT SIZES AND EFFECTS
BUBBLE LETTERS/ SOFTY SOFT AND ROUNDED LETTER STYLE OF PIECING
WHOLE CAR A PIECE THAT TAKES UP THE LENGTH OF A TRAIN
WINDOWS DOWN A PIECE THAT COVERS FROM THE WINDOWS OF A TRAIN DOWN
TOP TO BOTTOM DOING A PIECE ON A TRAIN THAT COVERS FROM THE TOP TO THE BOTTOM OF THE TRAIN
HOOK UPS SPECIAL COLOR DECORATIONS DONE INSIDE OF A PIECE.
FILL IN THE COLORING OF A PIECE OR THROW UP
OUTLINE AN UNCOLORED PIECE / THE BLUE PRINT OF A FULL COLOR PIECE
LAY UP AN AREA WHERE TRAINS ARE USUALLY PARKED, EITHER UNDERGROUND OR ELEVATED WHERE WRITERS BOMB
YARDS TRAIN YARDS WHERE TRAINS ARE STORED AND PARKED AND WHERE WRITERS BOMB
BURNER AN EXTREMELY INTRICATE PIECE WITH INTRICATE COLORS
RACKING UP TO STEAL SPRAY PAINT AND OTHER SUPPLIES USED BY WRITERS
VICKED/ VAMPED TO ROB OR GET ROBBED FROM ANOTHER WRITER FOR SPRAY PAINT, OTHER SUPPLIES AND MONEY AND JEWELRY AS WELL.

STREET TERMS
STAY UP TAKE CARE
PEACE HI OR GOODBYE
CHILL RELAX
CRIB A HOME, APARTMENT, PLACE WHERE SOMEONE LIVES
DIS TO DISRESPECT SOME ONE OR SOMETHING
BEEF ALTERCATION
VIC / JACK/ STICK UP TO ROB SOMEONE/ SHORT FOR VICTIM
GEESE/ RACK/ TO STEAL
BEAT DOWN BEAT SOMEONE UP
RECOGNIZE TO REALIZE SOMEONE OR SOMETHING ABOUT SOMEONE/ TO RECOGNIZE SOMEONE'S SKILLS IN HIP HOP
5 O POLICE
BURNER/ POUND/ IS/ STEEL/ GAT GUN
CREW/ SQUAD/ POSSIE/ CLICK CAN BE EITHER A GANG/ OR A GROUP OF HIP HOPPER (MC'S, DANCERS, WRITERS ECT.)
LAY THE SMACK DOWN HIT OR SMACK SOMEONE
D.L./ DOWN LOW KEEP IT ON THE DL, OR DOWN LOW MEANS TO KEEP A SECRET
OLD SCHOOL/ OG SOMEONE WHO HAS BEEN AROUND FOR A LONG TIME AND HAS VAST STREET KNOWLEDGE OF SOME SORT.
PLAYER A PERSON THAT CONTROLS WOMEN FOR THE SAKE OF CHEATING ON THEM AND OR TRICKING THEM INTO SPENDING THERE MONEY ON THEM
PIMPIN SOME ONE WHO ADMINISTERS TO FEMALE PROSTITUTION/ OR SOME ONE WHO HAS SO MANY GIRLS THAT THEY TERM THEM SELVES PIMPS.
BLING THE SHINE OFF OF SOMEONE'S PLATINUM JEWELRY
PLAYA HATER SOME ONE WHO HATES ON PLAYAS OR RATS ON THEM AND SO FORTH
WACK NOT GOOD, WEEK, TERRIBLE